There are 482 municipalities in the state of Maine.

I am endeavoring to perform in all of them.

Check the map to see where I’ve played. Check the events page to see where I’m playing next.

Statement of Purpose

Classical music is largely viewed, by both its audience and practitioners, as being above or separate from current society, using a language that exists without a time or place. It is the continuation of a tradition that goes back nearly 1000 years. If this tradition has anything to say to a twenty-first century listener, it is mostly speaking in vague generalizations. You are unlikely to find it out in the streets. Its mailing address is those of the concert halls, opera houses, and universities in large cities and cultural centers. Access to these venues is almost always behind a paywall. Potential concert-goers may be put off by an actual or perceived elitism or snobbishness. 
This wasn’t always the case. Concerts of what we call “classical music” were once popular entertainment that drew large crowds. The repertoire was largely contemporary, being written recently or expressly for the occasion. A far cry from programs today which have been repeating the same old pieces for over a century. Composers also used to regularly appear before the public as performers. Now they seldom get in front of an audience except to accept applause. These are broad generalizations, but it does reflect the historical course of this genre. 
Classical music is in need of composers and performers who are ready to step into their communities and bring it to where the people are. Not because it is needed, but because we as musicians believe in this music and believe it deserves to be heard. Additionally, the current moment calls for what music is able to provide: a space to uplift, engage, connect, and slow down.

For me, my community is Maine. I grew up in Limerick and now live in Standish. My passion for music started in my childhood basement and participated in just about every musical opportunity available to me as a student at Massabesic High School (go Mustangs). When I was in graduate school in Boston, I could hear classical music any night of the week. However, that is not the case even in Portland, to say nothing of our smaller cities, towns, and plantations. Growing up, I would have relished the chance to hear live performances in my hometown.
The idea to perform in every one of Maine’s 482 municipalities came from several impulses. There is the desire to be an active member of the community and to be of service to the people of my state. I believe in the music I make and want to share it. This also gives me the opportunity to travel and gain a greater understanding of and connection to Maine and its people. 
I recognize the extreme scope of this project and expect it will take many years to complete. From Kittery to Madawaska, I choose to do this because it is hard and worthwhile. I know the value of what I am setting out to do. I do this out of love. Love for music and love for Maine.